Topical Songs

I list this as a topical song, though I steered clear of setting it in a specific time. I wrote it in 2017, after a year during which I was unable to write lyrics at all. When I finally found words for why I’d been so silent, the first were “too much to cry about to cry.”

Too much to cry about to cry
too many reasons you know just as well as I
best to turn around and face into the wind
take your stand against the sky
too much to cry about to cry

Too much to try for not to try
too many lies we mustn’t leave to live as lies
best to turn and shine your light right in their eyes
too much to try for not to try

Sometimes I feel I’m halfway home
sometimes it seems I’ve twice as far to go
but lately I see written in your eyes
too much to cry about to cry

Too many want to lead us back to darker times
best to turn and shine your light right in their eyes
too much to cry about to cry

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I wrote this song about Charles Taylor, the American-educated African warlord responsible for unspeakable atrocities. If you know of him, perhaps you’ll catch some of the allusions. But the song is far more broadly applicable because, alas, there are many more leaders like him.

Since retiring from teaching, I’ve been doing as much tutoring as I can. The extra money isn’t as important to me as is staying in touch with young people. One of the students I’ve been working with wants to change the world. He deplores violence, and he’s hopeful he can do something to curtail it. I think he can. I pray he does.

Devil had the diamonds
liked to hold the cards
and deal out every hand
carved his mark
on everyone he damned

Drew you to the table
gave you whiskey
and he whispered in your ear
anything you damned well
want to hear

And he promised you a heaven
and he promised you a virgin
on a golden bed
And he wrapped his cloak around you
and he tied it with a cord
of black widow thread

Devil took the children
and he cut his own initials
in their skin
played with them like soldiers
made of tin

Told the honest people
Either play my game,
or I get twice as rough
Dared the world
to call him on his bluff

And he promised you a heaven
and he promised you could have it
long before you’re dead
And he dangled down a golden watch
and he swung it by a strand
of black widow thread

Devil dealt in diamonds
liked to hold the cards
and he beat you every hand
carved his mark
and said, the world be damned

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The Occupy Wall Street movement inspired this song.

You bought up the farmland, you bought up the mines
You needed some strong hands, I stood in your lines
I had no hopes for tomorrow, you bought them all up yesterday
When I asked, “What are my wages, and what are my hours,
and what must I do for my pay?”
you said, “You’ll do anything I say.”

I worked in your factories, I worked in your mills
I dug up your gold for you, I leveled your hills
I made you a rich man, but you only gave me a dollar a day
And now I need something I made with my own hands
but you get to set me the price I must pay
and I must pay anything you say

I cared for your children, I kept them from cold
And after I’d raised them, you gave them your gold
I learned them their letters, but you only gave me a dollar a day
And when they grew older they thought themselves better
and told me, “Old man, get out of our way
And you will do anything we say.”

But tonight when you’re dreaming, you will dream of me
I’m outside your window, I’m on your TV
When all of your riches and power and silver
won’t buy you your way, when all of my brothers and sisters
refuse just to listen, you’ll beg us, but we’ll turn away
No one will hear anything you say
anything you say

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The country had experienced some horrible floods in 2010 and 2011, and I read about them with great sadness.

I waken with the sun
and I hear that river run
muddy water rushes through my veins
and each night in my sleep
sings a river wide and deep
laughing at its shackles
and jingling its chains

Ever since I was a child
and they’d catch me running wild
my daddy told me watch out where you play
That old river ain’t your friend
and he’d tell me once again
about the bodies he’d found floating
and them bones he’d hauled away

And there’s nothing in its soul
and there’s a hole down in its heart
and there’s nothing, I’ve been told,
that river cannot tear apart
No walls can hold it in
river’s got to win
when that black water starts to rise
and it gets a’hungerin

At the dawning of each day
I fold my hands and pray
River, spare us over one more year
My baby and my wife, we’re just begging for our life
just one more summer’s wages
and I’ll take us away from here

But every single time I get to hold a dime
seems that river’s got to take its share
Like a hungry beggar man it comes holding out its hand
if you can’t pay him his dollar
he’ll take it out in fear

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I have known only three women named Marianne, that I can recall, and this isn’t about any of them.  Sometimes, when a tune occurs to me, I give it words that sort of fit, just as placeholders, something to sing instead of gibberish until the real words come along.  But sometimes the placeholders insist upon sticking around.  That happened with this song.  I kept singing about somebody named Marianne.  So I had to make up a bunch of verses that Marianne would appreciate, whoever she is.  This made my protagonist speak in the person of a bitter, frustrated lumberyard hand.  Not that far a cry from me, really.  Oh, and a mud slider is a kind of turtle.  He showed up shortly after Marianne did, and I kinda liked the little feller.

Sitting by the muddy riverside
watching an old mud slider slide
watching an old mud slider slide on by

He doesn’t give a hoot for what the people say
he doesn’t have to stoop to draw his pay
like I do every day

You put in your time in this lumberyard
pretty soon your heart and your talk get hard
pretty soon your insides turn to knotty pine

You kick and you scratch like a river rat
I don’t want to see you come to that
I want to keep you something fine

Ch.
Marianne, you’re too good for all of that
Marianne, you’re too good for all of that
and when I can I’ll get something someday
take you so far away
you’ll have to face front to look back
you’re too good for all of that

They tell me that the poor man’s rich, indeed
tell me that he’s got all that he needs
he’s got the rich man beat in peace of mind

Then they go and talk about the price of greed
it’s just a sickness they must feed
it’s just a crying, hungry child

I know a little something about discontent
I’ve had to choose between food and rent
when all I’ve had to swallow is my human pride

I wonder, if the rich man suffers so
why he doesn’t just let go
when he hears my children cry

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Breathing cotton dust commonly causes byssinosis, “brown lung,” in mill workers.  In the early ‘80s, the owners of Dan River Fabrics fought against workers over the plant’s air quality.  This is a union song.

By the river Rapidan
where the long tall willows stand
last song my daddy ever sung
he sung it with the old brown lung

Every day at quitting time
he’d brush the dust off
quit the line
Dust to dust was sure to be his fate
with all that dust my old man ate

And them who say they don’t believe it
tell them that we live and breathe it

All who ever work the cloth
get that old mill fever cough
spitting blood at the starting of each day
still a man must earn his pay

Company says it’s all a dream
what my very eyes have seen
I’ve never heard of anyone but a miller
with brown lung

And them who say they don’t believe it
tell them that we live and breathe it

Had a dream the other night
just beyond that factory light
I saw my daddy walking from his death
stopping twice a block for breath

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Franklin County, Virginia was the moonshine capital of the country early in the 20th Century and into Prohibition. Those who made the whiskey, for money, did so out of desperation, though no doubt they’d distilled it for personal use for some time. County and state officials knew of the practice, and as long as the farmers paid them off, they saw it for what it was: life’s blood during hard times, not to mention a way to make a handsome profit for doing exactly nothing. This song tells the story, and it names names. The reference to itinerant musicians in the final verse is specifically to Charlie Poole, among the most famous recording artists of the time. He did visit Shooting Creek, and in one of his recordings, he called the folks there the finest people in the world.

I’d love to hear a string band or Bluegrass group do a version of this song.

Took off running when I seen them agents coming
struck the woods where my daddy ran the still
In the Franklin County hollers you can’t seem to turn a dollar
crops don’t pay, but the whiskey always will

Now my people ain’t for begging
and we don’t like pulling wages
we ask nothing but to work and pay our way

Held our own until the turning of the century,
tractors come, now we can’t make a go
How the hell can any poor man’s four-hand family undersell
or even make a show?

So my daddy asked the preacher,
asked him what the Bible teaches,
he said, “Me, I’m making barrels every day;
make your whiskey, son, and pray.”

Sheriff Hodges and his deputy, Jeff Richards
take a cut on every drop we make
they’re just setting, while we do all the sweating
gotta pay, or they’ll give us all away

Feed the double-dealing devil
keep the crooked off the level
just to live and breathe and see another day
make your whiskey, Pa, but pay

A couple fellas with the banjos and their fiddles
stopped by here, so we took them up Shooting Creek
Gave them moonshine and they sung and had a fine time
made us glad, kept us going all last week

And the preacher stopped by, grinning
and he said, “No, you ain’t sinning
like the law, the Lord will look the other way
if you pray, and if you pay.”

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Belief has seemingly become more and more a wedge, a weapon, a pretext for violence.  Sad choice, but a choice.

Oh, the dreams we used to dream
back when we were in our teens
and we sang our songs of peace
and we dreamed the wars would cease
Where did we go so wrong
when did we learn to grieve
why did we bother to believe?

So many different bibles
mystic numbers, sacred birds
everybody says the sky
wrote down all of those holy words
so many different voices
speaking in secret tongues
so many consecrated guns

Everybody wants so badly
just to stand on solid rock
everybody yearns so sadly
just to join some chosen flock
all of these webs that catch us
all of a golden weave
maybe it’s best not to believe

Oh, the dreams we used to dream
back when we were in our teens
and we sang our songs of peace
and we dreamed the wars would cease
So hard to wake from dreaming
hard to roll up your sleeve
Harder to love than to believe

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